Positioning the lights around the watch to highlight feature points Select the stage and make sure that the object’s colour is different to any colour used on the watch so that it can be easily selected in Photoshop. Open the material editor, create a new V-Ray material and assign it to the stage. This will make the stage not appear in the final render but still contribute to the scene so that lighting can bounce off it. Right click the Stage then go to object properties and under general un-tick visible to camera. Make the stage invisible to the camera but still contribute to lighting and reflection Select the top, front and side faces and delete them so that you are left with a curved back drop. Chamfer the edge by 100mm and set the segments to 50. Convert the Stage to an editable poly and select the lower back edge. Right click the move tool and set it to 0 for all axes in absolute world. Start by opening t_171_Max-Vray_Start.max and in the top viewport create a box and adjust the size to 400mm x 400mm x 400mm. Original watch model courtesy of Petr Mucka (Visuart3D).You can find a link to our video tutorial at the end of this post. If you would like access to the scene files used in this tutorial please click here to download. V-Ray 2.40.01, 3ds Max 2012 and Adobe Photoshop CS6.
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Finally once the final image is complete you will learn how to down convert to an 8bit format so that the final render can be saved out for web use. By keeping each element separate you are then able to tweak each one individually such as reflection, refraction and diffuse. In Photoshop you will combine each render element that makes up the beauty pass using a combination of blending modes. By using the EXR format, the final render has much more colour information that can then be tweaked in Photoshop without the risk of colour banding appearing. As well as how to adjust the V-Ray render settings for outputting render elements in EXR format to create a production level render. The VRayPhysicalCamera will be used to balance exposure and once the lighting and camera has been set up you will be taken through the steps of linear workflow.
HDRI dome lighting will also be used for additional direct lighting and reflection. In this tutorial you will learn how to set up a studio environment suited for rendering a highly detailed and reflective watch using 3ds Max, V-Ray and Photoshop. Using the newly added VRaySoftBox material, you can create various shapes and gradients directly inside 3ds Max as well as adjust the lights colour to simulate real world soft boxes that are commonly used in photography.
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